Examples of High-Stakes Writing in UW-Madison Courses
Below are examples of high-stakes, formal writing assignments used by instructors at the University of Wisconsin-Madison.
You may also want to check out our step-by-step guide to designing a high-stakes writing assignment. Interested in designing a high-stakes assignment for your course but not sure where to start or what to include? Contact the Writing Across the Curriculum (WAC) team to set up a one-to-one consultation.
Below is an exemplary high-stakes writing assignment from Professor Łukasz Wodzyński in the German, Nordic, and Slavic+ Department. This assignment demonstrates how you might enable students to write for a specific audience and scaffold your assignment to incorporate multiple writing tasks. To download a PDF of the writing assignment, click here. Alongside the assignment sheet, we offer a few notes on what makes this high-stakes writing assignment successful.
Assignment Language |
Commentary |
Slavic 231: History and Ethics on Film: Polish Cinema
Lukasz Wodzynski
Research essay
Excited by the news of a young film scholar taking the world of academia by storm, the editor of the local film studies journal (The Madison Journal of History, Ethics, and Film) has sent you an impassioned email in which he invites you to contribute a short essay on a subject he’s sure would interest you: Polish cinema. Seeing this as an excellent opportunity to advance in the ranks of film critics, you enthusiastically agree to accept the invitation and submit an essay. The editor leaves you a lot of freedom when it comes to the topic of your essay but to potentially save you some time and stimulate your imagination, he provides you with some topic ideas (see the Suggested Topics document on Canvas). |
Right away, the professor identifies the main task and the audience. He also gives students a clear role (contributing to an academic journal).
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The submission process has two stages:
- Essay proposal outline and presentation
- Prior to submission of your essay, the editor asks you to submit an outline of your contribution. Your proposal should be 450-600 words long. It must provide:
- a clearly-defined thesis stating the problem you will address along with an explanation of how your essay will contribute to existing scholarship;
- summary of the argumentative structure of your paper (no more than 3 medium-sized paragraphs) in which you explain what steps you will take in addressing the issue at hand.
- bibliography (see below for details).
- The editor asks you to send him the outline by November 24, which happens to work well with your (intense) writing schedule.
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The professor requires that students write an outline first. This allows them to get feedback on their ideas early on.
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2. Research Essay
- Given the printing costs, limited space, and other considerations, the editor asks you to fit your essay within the 2,000-2,500-word limit and comply with either MLA or Chicago Style
- As you are well aware of, your contribution to MJHEF should:
- present an original thesis, clearly connected to the topic and concerns of the journal and the topic the editor assigned you (Polish cinema);
- provide clear argumentation in support of your thesis, using evidence when necessary (both primary and secondary sources);
- demonstrate evidence of secondary reading, meaning you need to refer to at least three secondary sources – scholarly and peer-reviewed books or articles – and reflect this research in your writing, so that your thesis, argumentation, and conclusions account for the findings of other scholars*;
- *You are free to use online articles, blogs, and Wikipedia in your research, but these sources do not count towards the secondary reading requirement.
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The professor identifies the features of a journal article. Offering this list of features can help students who may be unfamiliar with a particular style of writing.
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Learning outcomes:
Upon completing this assignment, you should be able to:
- devise an essay topic that demonstrates your knowledge of the class material and communicates your interest in the course themes (ethics, history, film);
- develop a clearly-defined thesis statement that identifies the problem you seek to address;
- recognize, identify, and apply the features of an academic essay
- plan and organize your argument, effectively selecting secondary sources to support your main points;
- develop examples with specific details to illustrate a point.
- reflect on the instructor’s feedback and incorporate it in the final version of the essay;
- follow the academic paper formatting guidelines (MLA or Chicago);
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The professor identifies the learning outcomes of this assignment. This clarifies for students how their learning will be assessed in the rubric below.
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Rubric
[See rubric transcription below for full grid.] |
The professor offers grading criteria that connects with the student learning outcomes and writing expectations. In the future, he might consider assigning point values or percentages to indicate each category’s relative emphasis.
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Grading Rubric for Assignment
CRITERIA |
POINTS |
COMMENTS |
A. Content and argument (/60) |
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The author conveys a general appreciation that “poverty” can be conceptualized and measured in different ways |
/20 |
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The author offers a specific critique (or defense) of the way that the World Bank conceptualizes and measures poverty |
/20 |
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The author develops their own case for conceptualizing and measuring poverty in a particular way |
/20 |
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B. Structure and Organization (/20) |
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An introduction sets out the purpose of the letter |
/5 |
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A concluding paragraph recapitulates the most important points |
/5 |
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The letter is clearly organized and flows well from one section to next |
/10 |
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C. Style and Format (/20) |
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The letter is correctly formatted |
/5 |
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The letter contains no spelling or grammar mistakes |
/5 |
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The tone and language of the letter are appropriate for the audience |
/10 |
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TOTAL (/100) |
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Below is an exemplary high-stakes, discipline-specific writing assignment from Professor Rebecca Meyerson in the School of Medicine and Public Health. To download a PDF of the writing assignment, click here. The assignment here has been condensed for length. Alongside the assignment sheet, we offer a few notes on what makes this high-stakes writing assignment successful.
Assignment Language |
Commentary |
Guidelines for Critiques
70 Points Possible (50 Points for Part 1, and 20 Points for Part 2)
Purpose:
The purpose of this assignment is to help you practice the skills to support your success in the profession as a health services researcher:
- Identify and evaluate a study’s research questions, hypotheses, theoretical framework, study design, methodological approaches, and conclusions
- Critically discuss these elements to evaluate the extent to which the study provides an valid answer to the research question posed (e.g., internal validity)
- Critically discuss these elements to assess the likelihood the conclusions can be extrapolated to the broader population of interest (e.g., external validity)
- Identify feasible strategies to improve the external and internal validity of a given study
- Gain facility with key methods of professional communication about health services research studies (here, a referee report)
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The professor starts with the Learning Goals of the assignment. This gives students into how their writing will be evaluated. By telling students what they should focus on, the professor saves time and energy when evaluating student writing.
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The Assignment:
The organizer of a conference would like your opinion to help her decide whether this paper should be presented as a poster, a podium, or a keynote presentation, or should be rejected from the conference entirely. Having decided that the topic is of interest, the organizer would like your recommendation for where to place the paper purely based on the strength of the evidence presented in the study.
Your first task, in Part A, is to assess the strengths and limitations of the paper to support the recommendation you provide to the conference organizer in Part B to i.e., whether this paper should be presented as a poster, a podium, or a keynote presentation, or should be rejected from the conference. In addition to providing the conference organizer with your reasoned recommendation about the paper submission, Part B should also include your recommendations to the author regarding specific steps to take to further improve the study.
Format: The paper should be no more than 7 pages in length (6 pages for part A, and 1 page for part B) and conform to the following format: double-spaced; 1-inch margins all around; and a font size of at least 11. Late papers will not be accepted except in the case of extenuating circumstances and instructor approval.
Note on citations and bibliography: Due to space limitations in journals, it is often not possible to include all relevant information in an article. In evaluating a study, you should incorporate relevant information from other articles produced by the same study if they are specifically cited as references for that purposes. Include citations and a bibliography in your critique as warranted. A bibliography (if any) does not count toward the page limit. |
The instructor identifies an audience (organizer of a conference) that is different from the instructor. This audience is one that students might encounter in their future careers as health service researchers. It allows them to practice writing in a discipline-specific, real-world context.
Students may be unfamiliar with discipline-specific writing. In this example, the instructor provides a note on citations and bibliography so students can practice writing according to disciplinary conventions.
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Part A: Point-By-Point Critique
Your first task is to conduct a thorough assessment and critique of the article in order to characterize the quality of the evidence. This assessment will be the basis of your recommendation for the conference organizer, i.e., whether this paper should be presented as a poster, a podium, or a keynote presentation, or should be rejected from the conference.
The critique should include the following information:
1. Relevance of the Research
Summarize the relevance of this research to the field. Do the authors explain the importance of their research agenda? Do they adequately review the current state of knowledge and identify the relevant gaps and problems in the literature? End with a summative statement about whether the authors present a convincing argument for the relevance of their research.
2. Objectives or Research Questions
Restate the research questions or objectives. Are the questions to be answered or objectives to be met by the research clearly delineated? Do the authors indicate the significance of these research questions to the advancement of the field? Are their questions formulated in response to the problem and without reference to the methods? End with a summative statement about whether the formulation of the research questions is adequate.
3. Theoretical Framework and Hypotheses
Briefly describe the theoretical framework for this research and the hypotheses to be tested. Do the authors relate their problem to this framework and clearly state the hypotheses or develop the model to be tested? Recall that expectations are essentially hypotheses (e.g., “we expected that…”). Were the relationships among variables explicated? End with a summative statement about whether the authors adequately frame the problem and address hypotheses.
4. Limitations
List the major limitations the authors identify. Are the consequences for the study conclusions discussed? Do the authors miss any major limitations? End with a summative statement about whether the authors adequately address the study limitations.
5. Implications and Conclusions
Re-state the authors’ conclusions. Are these conclusions consistent with the findings and the limitations of the study? Are the conclusions responsive to the research questions? Do the authors discuss the implications of the study findings and explore potential further research? End with a summative statement about whether the conclusions are justified. |
The assignment itself is very discipline-specific. It is meant to mimic writing done by health services researchers at disciplinary conferences. The instructor has students write according to disciplinary standards so they can imitate their field’s communication expectations.
The instructor walks students step-by-step through the sections of their critique. Especially for students who may be unfamiliar with a particular genre or discipline-specific writing expectations, these instructions can help avoid confusion or miscommunication.
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The following example from Professor Nandini Pandey’s course (“The Romans”) asks students to revise and/or expand on an earlier writing assignment in the course. In doing so, they are required to seek out additional primary and secondary sources, and Pandey provides guiding questions students should consider during their research.
FINAL RESCRIPTIO of Scriptio #1: EXCAVATING THE OTHER IN ANCIENT ROME
8-page essay to be submitted as a Word file on Canvas.
Our understanding of ancient Rome often focuses on the experiences and concerns of a small group of elite male sources. But what was life like for the vast majority of people who did not get to speak for themselves within the written record? Did they gain in quality of life or social/political/economic opportunities over the long course of Roman history?
This will be a substantial revision and expansion of your first Scriptio (though you may modify your topic in consultation with your TA). Pick ONE marginalized group (women; enslaved people; non-Romans, i.e. people without Roman citizenship at the time a source was composed; the illiterate; non-elite soldiers). Show, in specific, original, well-informed, and well-evidenced terms, how members of this group are depicted in TWO different primary (ancient) sources we have read for this class. Then discuss what we can and can’t learn from these sources; how they measure up against historical information; and whether/how this group’s status or quality of life changed over the period you are discussing.
For each primary (literary) source you choose, think about the following questions (though you do not necessarily have to address them all in your essay).
- What was life like for members of this group, according to this source?
- How does this group’s identity and social role seem to be defined? Who defines it?
- What kind of social/political/economic power does your group have, and NOT have, as depicted in this source?
- You might choose to focus on one or two characters per source to narrow down your task. If so, is this person
- representative of a group, or an outlier in some way? (Keep in mind how this might affect what you can say.)
- When, why, and for what purpose was your source written? What biases, motives, or philosophies may inform the way it portrays members of this group?
- How can you use your source as a historical document? How might it be inaccurate?
- Does this work count as a source for the period when it was written, or for the period it depicts? (For example,
- does Livy’s depiction of women in Book 1 reflect his own times, ancient history, neither, or some combination of both?)
- If this source is a work of fiction, what can (and can’t) it tell us about Roman realities? How might its genre (e.g. epic, satire, letter) affect its portrayal of this group?
You will need to use at least 3 scholarly (secondary) resources, identified with the help of your Library Information Session, in order to address these subjects adequately. Of these, you should have 1 secondary source about each primary text. You will also need 1 secondary historical source about the status of your chosen group within Roman history. (You are welcome to pick one with an archaeological, economic, legal, or social slant.) I will post a few suggestions online, but part of the point of this activity is to get you to find and evaluate sources for yourself.
Topic and Bibliography due according to the deadlines and guidelines set by your TA
Please submit to your TA a statement of your intended topic (e.g. a ‘vision’ or draft thesis statement), including your chosen marginalized group, the two primary sources you intend to study, and the character(s) or scenes that you will focus on. You should include a bibliography of 3 secondary sources with brief notes (1-2 sentences each) on how it will help your inquiry. Your TA may additionally request a brief outline. The more preparation you put into this paper at this early stage, the more your TA can help you improve the final product.
In-Person Meeting with TA: by appointment, scheduled with your TA
Meet with your TA to discuss your general writing goals as well as your specific paper topic for the Rescriptio. Bring copies of your past writing assignments (Scriptiones #1 and #2 with comments) so you can work with your TA to improve your performance on the final paper. Your TA may ask you to fill out a brief self-evaluation of your writing prior to the meeting in order to make the session as focused and productive as possible.
Final Paper Structure:
Begin your essay with an introduction that clearly states your argument (‘thesis statement’) and provides a ‘road map’ to the structure of your paper, which you should outline carefully before writing. Organize the rest (‘body’) of the essay so it flows logically and all paragraphs relate to your main argument. We suggest discussing your two primary sources in chronological order, taking into account the questions raised above, and then dedicating a final section to discussing these sources in light of the historical evidence that you researched independently. Round out your argument with a conclusion that summarizes your argument with consideration of its wider significance (why does it matter?).
Throughout the paper, rather than try to cover any given source exhaustively, please focus on a few carefully chosen, specific passages or episodes. Do NOT waste space with excessive summary or long quotations. Instead, select the most convincing evidence and quote it judiciously in order to build your case. The best essays will be thoughtful about the questions listed above, think creatively about evidence and its limitations, and anticipate counterarguments.
Length, Format, and Late Policy:
This essay should be at least 8, and no more than 9 pages long, in 12-point Times New Roman, double-spaced, with 1-inch margins, and should include your name and your TA’s name at the top. You must submit it on Canvas by noon on May 11 as a Word file or, if you have any concerns about file format, a PDF. If you have any technical issues uploading your paper, please also email it as an attachment to your TA to make sure it arrives. Essays submitted after noon, or in file formats that are unreadable to your TA, will be penalized by an automatic loss of 25%. The paper will receive an automatic zero after 24 hours (noon on 12 May). Be sure to plan accordingly.
Citation:
Use in-line parenthetical citations to note the text, Coursepack page number, and, when available, line or paragraph number: e.g. (Poenulus p. 48 l. 53). You must cite any ideas that are not your own, including Potter’s textbook (Potter p. 124), Dr. Pandey’s lectures (class lecture, 1/21/17) or PowerPoints (PPT, Day 4). Use MLA style for in-line citations and include a bibliography of all your sources at the end. If you are ever in doubt, please consult your TA or the syllabus on plagiarism and how to avoid it.
Professor Ankur Desai asks students to compute their carbon footprints and to evaluate policy recommendations in light of these computations. He guides students through a process of synthesizing scientific, technological, economic, and political considerations.
For this assignment, you will conduct a self-reflection about your own personal carbon footprint and relate it to how proposed climate mitigation policies might affect your own behavior.
Steps:
First, compute your carbon footprint, a measure of your personal fossil fuel based contribution to the addition of CO2 to the atmosphere. You will need to know something about your electric/heating bills, miles you drive, flights you’ve taken, etc…
If you are not sure of a specific answer, make your best guess. You are welcome to try other sites than this one:
https://coolclimate.berkeley.edu/calculator
Compare your footprint to your average for your zip code and for the nation based at:
https://coolclimate.berkeley.edu/maps
Some sites to help you find average energy usage:
https://www.mge.com/customer-service/home/average-use-cost/
https://myaccount.alliantenergy.com/OUCSSPortal/faces/public/cmPropertyBudget
Then, read the following articles (web link articles are online):
- SPM.1 and SPM.2 in IPCC, 2014: Summary for Policymakers. In: Climate Change 2014: Mitigation of Climate Change. Contribution of Working Group III to the Fifth Assessment Report of the Intergovernmental Panel on Climate Change [Edenhofer, O., R. Pichs-Madruga, Y. Sokona, E. Farahani, S. Kadner, K. Seyboth, A. Adler, I. Baum, S. Brunner, P. Eickemeier, B. Kriemann, J. Savolainen, S. Schlömer, C. von Stechow, T. Zwickel and J.C. Minx (eds.)]. Cambridge University Press, Cambridge, United Kingdom and New York, NY, USA https://www.ipcc.ch/site/assets/uploads/2018/02/ipcc_wg3_ar5_summary-for-policymakers.pdf
- Richard Conniff, “Blue Sky: Thinking: The Political History of Cap and Trade”, Smithsonian Magazine, August 2009 http://www.smithsonianmag.com/air/the-political-history-of-cap-and-trade-34711212/?no-ist=
- Mankiw, N.G., 2007, One Answer to Global Warming: A New Tax, New York Times, 9/16/07 http://www.nytimes.com/2007/09/16/business/16view.html
- Planet Money podcast, 2016, Oil #5: Imagine A World Without Oil,http://www.npr.org/sections/money/2016/08/24/491216303/oil-5-imagine-a-world-without-oil
Using these sources, write a short reflection piece of 1) the nature of your fossil fuel use, 2) economic policy options that would influence that use, and 3) how would you change behavior were those implemented.
Consider the following questions:
- What was your carbon footprint in tons of CO2 equivalent (note that 1000 kg = 1 metric ton). Was your footprint higher than the average for your area or the nation (you may need to do additional research to find these values)? What is your largest source of emissions? What difficulties did you have in estimating the numbers for the surveys? What does that say about the complexity of measuring individual carbon emissions?
- Using the readings above and/or supplementary materials that you find, discuss the nature, merits, and disadvantages to climate change mitigation by reduction of CO2 emissions by carbon tax, cap and trade, offsets, or command and control. Do you think alternatives to fossil fuels will be found fast enough and change the way you live?
- Imagine if one of these carbon emission policies were adopted and it affected your personal finances such that you paid (through taxes or increased prices) an extra $100/ton per CO2 emitted (i.e., costs from oil companies, gasoline, electric utilities, etc… were passed onto you so that your expenses increased as such). How would your behavior change (if at all)? What ways (if any) would you try to reduce your carbon emissions? How about if the costs were $10/ton and $1000/ton? Will your carbon emissions increase in the future? See if you can find the current price of carbon on an existing market and whether that is influencing behavior.
Paper guidelines:
- 2-3 full pages, maximum of 4, exclusive of any figures and bibliography
- Double-spaced, 1” margins, 12-point standard font, number your pages, no title page, your name and title on top of page 1
- In-text citations required and should be in any standard accepted, academic format, and bibliography (does not count toward 2 pages) must include full academic citation (journal name, title and author, page numbers or web link, date of publication and/or access)
Please be sure to note your carbon footprint value and bring that number to class.
In this service-learning course (Political Science 425: Citizenship, Democracy, and Difference), Professor Kathy Cramer requires students to volunteer with a community-based organization. The writing assignments, which include journals, an argument paper, and a citizenship autobiography, are sequenced to help students synthesize their in- and out-of-class experiences with their understanding of citizenship.
The first paper assignment is to craft an argument in response to the following question: How is the work that people are doing in your organization related to politics? You could answer this in a wide variety of ways. Allow yourself to be creative in how you choose to do so.
Here are some possible themes you might pursue to write this paper:
- Where does the organization get its funding? What levels of government provide funding and what do the employees and volunteers at this organization have to do to secure this funding?
- What are the public problems that the organization is trying to address? Would they be better addressed through new legislation? Through government providing services the organization currently provides? Why or why not?
- How does participating in the programs the organization provides affect how the clients of the organization view themselves as citizens? How does it affect how they view their relationship to government and public officials? Does it increase or decrease the likelihood that people will participate in politics in the future?
To write this paper, you should draw upon what you have learned from our course readings and class sessions, as well as the observations and reflections you record in your journals. That is, I want you to reference class readings as well as your experience in your service work. It is acceptable—in fact, recommended—that you explicitly talk about your own personal observations of your organization in your paper. Aim for informed observations rather than mere anecdotes. You can write in the first person. In addition, you should actively gather information from your organization by doing such things as attending staff or board meetings and interviewing members of the administrative staff and clients of the organization. It may also be useful for you to do research on the background of the organization through searching the archives of local papers online or through the Lexis/Nexis database available through the UW Library homepage. I also strongly encourage you to do additional background research on topics related to your argument, such as research on the public problem that your organization is facing.
The paper should be 9-11 pages in length of double-spaced, 10 or 12 point type, using reasonable margins. The pages should be numbered and stapled. You may use any standard form of citation. Whichever style you choose (e.g., APA, Chicago), you should use both in-text parenthetical references as well as a reference list. For a useful guide on proper methods of citing sources, see the UW Writing Center web page “FAQs About Documenting Sources” (http://writing.wisc.edu/Handbook/Documentation.html).
Second paper assignment
For the second paper, you will write a citizenship autobiography. The question you will address is, What does it mean to me to be a good citizen? You are to revisit your first journal entry in which you described what it means to be a good citizen (see this assignment under the first day of class in the Calendar below), and then in detail explain how your understanding of citizenship has changed (or not) across the course of the semester in response to your service activity, the assigned readings, our class sessions, and your journal work. I want you to aim for a clear conception of citizenship—do not just state that conceptions of citizenship vary widely and that the proper definition depends on the individual. This paper is your chance to clarify what good citizenship means TO YOU. To formulate your argument, think about these questions: How has this class changed you, if at all? How do you view your role as a citizen? What does service learning mean for your understanding of democratic citizenship? How have the experiences of this semester helped you to understand what citizenship means today? This paper should also be 9-11 pages in length of double-spaced, 10 or 12 point type, using reasonable margins, stapled with pages numbered.
In advanced undergraduate political science course (Political Science 566: Contemporary American Political Thought), Professor John Zumbrunnen gives students the option of responding to one of two prompts. This assignment challenges students to explain a controversial issue or make an argument drawing upon important thinkers in American politics. Zumbrunnen not only provides students with helpful hints for writing successful essays, but also carefully ties the assignment to specific learning outcomes for the course.
The second individual project for PS 566 gives you another opportunity to analyze and evaluate course readings and bring them into contact with your own political thinking (working again on the “CREATE” learning objective for the course).
You will write an essay that responds to one of the following prompts:
- Pick a significant political issue in the contemporary U.S. Explain the controversy surrounding this issue and take a stance on it, drawing on at least 1 thinker from the first half of PS 566 (i.e., before the first group presentations) and 2 thinkers from the second half of PS 566.
- Identify a U.S. Presidential candidate for 2016 (this could be someone who is actually running or someone who we can realistically imagine running). Make an argument in support of this candidate. As you do so, analyze this candidate’s political views and explain how they fit into contemporary American political thought, drawing on at least 1 thinker from the first half of PS 566 (i.e., before the first group presentations) and 2 thinkers from the second half of PS 566.
Essays must be no longer than 1500 words. Please include a word count at the end of the document. Essays must be submitted to the “Individual Project 2” drop box on the course Learn@UW site by 4:00 p.m. on Monday, May 9.
Both Katelyn and I are happy to meet with you to talk about your ideas and arguments.
Statement of learning outcomes from course syllabus:
Students in PS 566 will:
- KNOW key ideas and arguments in contemporary American political thought.
- ANALYZE the relationship between contemporary American political thought and the American founding.
- EVALUATE recent political rhetoric in the context of contemporary American political thought.
- CREATE a rigorous account of their own political thinking in the context of key ideas and arguments in contemporary American political thought.
Some Hints on Writing Short Essays
- NARROW YOUR FOCUS: The paper topics are, by design, quite broad and rather vague. This is to allow you to choose what you want to focus on and to take your paper in your own, unique direction. Be aware that you will not be able to talk about everything the topic might suggest in 1500 words.
- ANSWER THE QUESTION: Having narrowed your focus, be sure that you are indeed still writing on the topic. Make sure that you take a clear stand on the issue at hand and that you state this directly near the beginning of your paper.
- QUESTION YOUR ANSWER: Once you arrive at your answer, think about what someone on the other side of the issue might say in response to your claim. Clarify and complicate your answer to take such potential counterarguments into account.
- SUPPORT YOUR THESIS: Having stated your position, make an argument to back it up. In doing so, draw on quotations from the relevant readings, citing them by work and page number (you should not use outside sources for these papers). Do not, however, rely solely on such quotations. Strike a balance between quotation or paraphrasing and your own interpretation and argument.
- INTEGRATE YOUR ARGUMENT: Make sure your points flow smoothly one into the other as part of your overall argument. Check for smooth transitions between points. Do not allow your paper to become a string of unrelated or loosely connected ideas.
- REVISE AND PROOFREAD: Remember that you must limit your essay to 1500 words. This means you will have to edit, cut and paste, decide what is most important and what can be left out. Use this process to strengthen your paper in terms of content and general readability. Do not simply begin writing and stop when you get to 1500 words!
To guide students as they write a 15-page original research paper in Political Science 401, Professor Yoshiko Herrera designs shorter “paper plan” assignments. These assignments build on each other, with the earlier ones asking students to describe their initial interests and to articulate precise research questions about their interests. For the later assignments, students produce an annotated bibliography and a data collection plan. This process culminates with a final presentation and final draft.
A Note for Other Instructors About This Assignment:
This political science course about measuring identities is structured around an original research paper. The primary goal of the assignment is for students to write a research paper related to social identities using original data that they have collected using one or more methods. The course is structured to teach students about different methods for data collection (interviews, surveys, and content analysis), in the context of empirical and theoretical readings on social identities. Students also write three structured paper proposals which use methods during the course, so that by the time they get to the final paper they have already “practiced” those methods.
Recently I began allowing students to choose whether to work individually or in groups. In a course taught in spring 2018, 1/3 chose to work individually and 2/3 in groups. Students expressed interest in topics and interest in working in groups, and then I matched students and had them talk in class and decide whether or not to work together. This process led to much greater satisfaction for students who worked in groups because they chose both that option and the people with whom they worked. The group papers accomplished more in the sense that students working in groups collected more data and their papers were more ambitious, but some of the individual papers were also very well done, and hence I don’t think the difference in quality between students working individual or in groups was very clear. The group work, however, does greatly lessen the commenting and grading burden for the professor.
The Assignment for Students
Final Paper, Plans, and Presentation
The final paper for this course will require original data collection and research on a topic related to social identities, based on the measurement techniques discussed and practiced in the course, including one of the three methods (content analysis, survey, and interviews) and UW-Madison library resources.
Paper plan 1: Identity Topic, due Feb 12, 11:00 am (1% of the final grade)
- Include your name, the date, and a descriptive title;
- Length: 1/2 to 1 single-spaced page;
- Include the following three numbered sections:
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- Paragraph describing the type of identity or identities you are interested. Students should choose one or two of the types of identity covered in course readings (e.g. gender, race, national identity, etc.) and specify the place, time period, or other contextual details you are interested in (e.g. Hispanic identity in the contemporary US; transgender identity on the UW-Madison campus, national identity in Canada, gender and race among immigrants in Madison).
- Paragraph describing why you are interested in this topic, and what you hope to learn by studying it.
- Indicate whether or not you are interested in working in a group, and if so, to what extent you are open to changing or amending your topic.
Paper plan 2: Research Question & Methods, due March 19th, 11:00 am (3% of the final grade)
- Include your name, the date, and a descriptive title;
- Length: 1 to 2 single-spaced pages;
- Include the following five numbered sections:
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- A clear research question related to measurement of social identities e.g. How often to state legislators discuss race or ethnicity on their websites? How diverse is the UW campus? Which identity, race or gender, is more important for foreign students on campus? Does having a strong ethnic identity make people less patriotic? How to minority students view majority students, and vice versa? In some cases the question will require clarification, e.g. what is meant by “diversity” or which “identity groups” are being considered.
- Provide a definition of identity in your research question, based on course readings or other sources.
- Discuss some preliminary hypotheses (answers to the question). These should be numbered and take the form of possible answers to your research question. They should be based on course readings or other published literature that you are aware of, but it’s fine to be speculative at this point.
- Describe which methodology (content analysis, survey, or interviews), based on the course readings and measurement exercises, that you plan to use.
- Describe the main type of data sources that you plan to use (which digitized texts or what people you plan to survey or interview).
Paper plan 3: Annotated Bibliography and Data Collection Plan, due April 9th, 11:00 am (3% of the final grade)
- Include your name, the date, and a descriptive title;
- Length: 1 to 2 single-spaced pages, plus Plan 2 attached, and revised if necessary;
- This plan has 2 parts; an annotated bibliography, and a data collection plan:
For the annotated bibliography:
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- Based on hypotheses developed and revised from Plan 2, find 6 academic sources, i.e. journal articles or books found in the UW-Madison library system that support your hypotheses. Note: Other web-based sources or course readings can be used in the paper in addition to these from the library, but you still must find 6 from the UW library system.
- Write out the research question and each hypothesis and those will serve as a section headings, then under each, list a full citation (MLA) of a library source;
- Under each source, write 2-3 sentences explaining how it supports the research question or hypothesis.
For the data collection plan:
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- Describe either the texts that you will use in the paper (if doing content analysis) or the pool of respondents or interviewees and timeline for collecting responses for a survey or interviews.
Grading rubric for the three Paper Plans:
- The structure for each Plan noted above is followed and includes all elements;
- Each element demonstrates thoughtful effort;
- No typos or errors;
- Correct citation of sources;
- Turned in on time; late papers will be marked down one grade if not posted by 11:00 am on due date, two grades down if not posted within 2 days.
Final Paper Presentations: Slides due May 2nd, 12:00 pm
This is an opportunity for you to share your work from the semester with your fellow students, and to develop presentation skills.
- Based on the number of papers, the amount of time will probably be 4-5 minutes
- Presentations should consist of 6 slides:
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- Title slide (your name, date & presentation title)
- Research question
- Hypotheses (possible explanations)
- Evidence 1: Method description (how CA, Survey, or Interviews were done)
- Evidence 2: Results
- Conclusions
- Slides should use consistent style;
- You may add images or other relevant visual design elements.
Grading rubric final presentation & slides (3% of the final grade):
- Contains 6 slides as noted above, turned in on time;
- Text is adequate to convey points, but is not too wordy;
- Visual images are relevant and helpful in conveying points;
- Style is consistent on all slides; no typos;
- Speaker addresses audience, makes eye contact and keeps audience engaged;
- Presentation is within the time limit.
Final Paper, due May 7th, 9:45 am:
- Paper length should be approximately 15 double-spaced pages, excluding references and appendices; use 12-point font, 1-inch margins.
- Suggested minimum data collection:
- Content Analysis: at least 2 long (30+ pages) documents (for comparison), or at least 20 short news articles
- Survey: 10 questions, 50 responses
- Interview: 1/2 hour long, 10 people
- Use MLA parenthetical citations; References in text should include author and year, and page number if appropriate. Journal and book titles in bibliography should be italicized. Annotations of sources is not necessary for the final paper bibliography.
- Include a title page with your name, date, and a descriptive title; use appropriate style for the title page.
- Paper should include the following sections, which should should be labeled with headings:
1. Introduction, stating the research question, a summary of the methods used to collect data, and a brief summary of the argument (2 pp.).
2. Theoretical section (2-3 pp.): should contain:
a. Definition of identity, based on course readings or other sources;
b. Summary of possible different explanations (these are the theories or hypotheses that might answer the question), based on academic sources or course readings.
3. Methods Section (1-2 pp.): Explain how you collected data:
a. For content analysis include a description of the texts (length, source, etc), and coding rules, description of dictionaries, or key words, etc.;
b. For a survey, describe the questions, the pool of respondents & how you recruited them, when the survey was conducted, how many responses you got, etc.;
c. For interviews, describe who you interviewed, how you found people, when you did the interviews, how long the interviews lasted, where they took place, etc.
4. Data section (5-6 pp.): Discuss your findings: You should use tables, figures, or a set of extended quotations to highlight key points. Discuss how the findings support (or do not support) each the hypotheses (answers to the question).
5. Conclusion (1-2 pp.).
6. Bibliography (not annotated, does not count toward page limit).
7. Appendix (does not count toward page limit); include interview or survey instrument, full texts (if not too long, otherwise just links to sources); extra tables or figures, etc.
Grading rubric for final papers (30% of the final grade):
- Clear and well-motivated research question related to course content;
- Clear definition of identity that is being studied;
- Comprehensive discussion of explanations from existing literature;
- Use of at least 6 academic sources, and citation of course readings where appropriate;
- Clear discussion of methods used in paper;
- Data collection meets minimum requirements;
- Good analysis of evidence for different hypotheses based on collected data & findings;
- Proper citation of sources;
- Appendix contains required material;
- Follows structure set out on syllabus, and includes title and sub-headings;
- Good word choice and tone;
- No typos or errors;
- Within the page limit.
Group Work:
Students may choose to work in groups of up to 4 students on the proposals, the final paper, and the presentation.
- If you are interested in working in a group, indicate that on proposal 1 as outlined above.
If you choose to work in a group:
- For the Paper Plans 2 and 3, add an additional section to discuss how work will be divided by each student
- At least two measurement techniques must be used on the final paper.
- The final paper length will be longer (by 5 pages per additional person, e.g. from 20, 25, or 30 pp); the additional pages will be in the data section (to discuss the additional data collection).
- Make sure the final paper is integrated, even though the paper has different section, and different people might do more work on one or another of them. Make sure all sections are connected; each group member should read the entire paper to make sure all sections are integrated.
- In a separate document for the final paper, each group member should turn in a one-half page description of their own individual contribution and evaluation of others’ contributions to the research paper.
Professor Sara McKinnon has students familiarize themselves with grant writing and demonstrate their understanding of research studies and key concepts in a large Communication Arts course (Comm Arts 260). After completing a draft, students participate in a peer review guided by specific criteria, as shown below.
Draft due Monday, March 5th, 12pm (noon). Peer review rubric due Wednesday, March 7th, 11:59pm.
Please use the hard copy of your peer review activity from the in-person writing workshop to complete this peer review rubric.
You may paraphrase your comments, but you must be accurate and honest. Please also honestly indicate how you incorporated your peer’s comments into your final draft; is it not required that you incorporate your peer’s comments, but you do need to explain why/why not.
You’ll be using a peer review rubric on a 10 point scale. Full credit is subject to TA/instructor review, and any grade adjustments will be communicated to you by your TA.
The grant proposal prompt and requirements are listed below.
Imagine you are applying for funding for the research described in the scholarly article you’ve read for this assignment by Braithwaite & Baxter (2006) entitled “‘You’re My Parent but You’re Not’: Dialectical Tensions in Stepchildren’s Perceptions About Communicating with the Nonresidential Parent.” You will need to convince the funder, Foundation for Improved Human Communication (FIHC), that your research is 1) necessary, 2) important, 3) aligned with their funding priorities, and 4) able to achieve meaningful results.
Typically, grant proposals are written for funding for future research, although past studies are used to justify this future work. For the sake of this assignment, we will imagine that the study has not yet occurred. We will also only focus on the proposal narrative (most proposals also include a budget section).
The goal of this assignment is to demonstrate your comprehension of communication research studies and ability to explain them clearly, and persuasively, to others. You will also become familiar with a common form of writing in the non-profit and public sectors: grant writing.
You will turn in a draft of this press release on March 5 by 12pm NOON.
On March 5 or 6th, you will have a writing workshop where you will get peer and TA feedback and assistance with strengthening your thesis statement and overall argument. You will complete your Peer Review Rubric by March 7th at 11:59pm. You will then turn in your final version by March 9th at 11:59pm.
As in most grant proposals, each question in the form will contain a character count limit. You should strive to be accurate, concise, and persuasive in your answers to these questions. To ensure you are maximizing your character counts, there is also a minimum character requirement for each question. Include your character count at the end of each section of your proposal.
The questions are as follows:
- Primary Research Questions: What are the key questions this research addresses? (250-500 characters)
- Background and Rationale: Why is this study necessary? What research does it build upon, and how? (1,000-1,500 characters)
- Foundation Priorities: How does this study align with FIHC’s current funding priorities (listed below)? (1,000-1,500 characters)
- Proposed Research Activities: Describe the study’s research methods (and participants, if applicable). (1,000-1,500 characters)
- Study Outcomes: What kind of data and/or outcomes will the study produce? Be specific. (250-1000 characters)
- Study Implications: What are the potential social impacts of this research? How will it improve our knowledge of human communication and behavior? (1,000-1,500 characters)
Foundation for Improved Human Communication’s (FIHC) 2017-2018 Priorities
FIHC is interested in funding scholarly research that improves public understanding of human communication and behavior. For the 2017-2018 cycle, we are particularly interested in research that:
- improves our collective understanding of the functions of communication.
- explains how we address social problems via communicative engagement.
- encourages the building of effective communities.
In the previous grant cycle, we funded $52 million in communication research. The following is a sample of the studies we supported:
$60,000 – University of Minnesota – for research exploring civic deliberation in rural communities
$60,000 – Drury University – to support a rhetorical analysis of community responses to political campaign ads in Missouri
$80,000 – University of New Mexico – for a study of deception theory in extended families
$100,000 – Beloit College – for a pilot project testing athletes’ responses to negative media framing
Peer Review Rubric: Grant Proposal
Criteria |
Ratings |
Pts. |
Your partner’s proposal: Primary research questions
Does the first section clearly outline key research questions? Do these questions effectively convey what the research addresses? |
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1.0 pts |
Your partner’s proposal: Background and rationale
Can you underline the author’s rationale for this study and background on why it is necessary? Is this rationale clear and explicit? Does the rationale explain how this research builds upon existing research? |
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1.0 pts |
Your partner’s proposal: Foundation priorities and research activities
Does the author describe how the study aligns with FIHC’s funding priorities? Does the author describe the study’s research methods? Are these explanations clear and appropriate? |
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1.0 pts |
Your partner’s proposal: Study outcomes
Does the author describe what data and/or outcomes are expected? Do these outcomes make sense and/or what you might expected? |
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1.0 pts |
Your partner’s proposal: Continuity
Do the key research questions and the body of the grant proposal match and/or make sense together? Does the grant proposal flow as a piece of writing: do the separate sections hang together? |
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1.0 pts |
Your partner’s proposal: Strengths
What two things did you find best in the proposal? |
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1.0 pts |
Your partner’s proposal: Improvements
What are two things that you suggest for improvement? |
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1.0 pts |
Your own proposal: How you will incorporate your reviewer’s feedback
This question relates to how you plan to modify your draft based on feedback: Please describe how you will take your peer reviewer’s comments into consideration for your final version. |
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3.0 pts |
Your name
Please type your name! |
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0.0 pts |
Total Points: 10.0 |
In the following assignment, Professor Christa Olson asks her students in English 550 to practice the analytic skills learned in class to compose a written analysis of a photograph. Note especially her numerous suggestions for research questions and explicit explanation of evaluation criteria.
Assignment II: Historical Visions
This assignment will help you build your skills as a rhetorical critic, with a particular focus on historical and contextual analysis. You’ll choose a historical photograph of University life and investigate its context, circulation, and use. As a class, we’ll spend time in campus archives and discuss historical research techniques. As the Campbell & Burkholder chapter on contextual analysis suggests, your task for this assignment is to identify how your image is “a product of, and function[s] within, a particular historical context” (49). Your final product will be an essay that makes a specific, arguable claim about the photograph and its context and then demonstrates that claim through analysis of the photograph and supporting materials. Enroute to that essay, you’ll also produce a close reading of your chosen photograph, a narrated slideshow of additional photographs designed to provide visual context, and an essay draft for peer review.
The photograph you choose for your research and analysis should elicit a question or comparison when you look at it. It should shock, confuse, or surprise you; it should make you wonder what’s going on, why it was taken, or how the pictured event happened. You should also choose a photo that gives you leads for research: a photo of an unidentified man on a balcony may be interesting, but it will be hard to write a paper if you can’t connect the photo to an event, issue, or group.
Step 1: Close Analysis
On Tuesday, March 6, we’ll make our first visit to the University Archives. During that visit, you’ll select a photograph as your central artifact for the project. Before class on Thursday, March 8, spend some time with that photograph and prepare a written close analysis of it. Using the tools of compositional analysis and descriptive analysis discussed earlier in the semester, describe the visual elements of the photograph, imagine its possible audiences, and consider its purpose and tone. Close Analyses should be 2-3 double-spaced (typed) pages long. Bring your analysis to our class at the Archives on March 8 and plan to turn it in at the end of the session (you can use the analysis during class to help guide your research).
Step 2: Beginning Research
Once you’ve chosen and analyzed the elements of your photo, you’ll turn to researching the context for it in order to better understand what your photograph tells us about University life and identity. To begin, look for archival and historical evidence. Using campus newspapers, scrapbooks, yearbooks, letters, other photographs, etc. look for answers to questions such as:
- Who took the photograph? Why?
- Who saw the photograph at the time it was made? Did it circulate publicly?
- What does the photograph tell us about life at the University of Wisconsin?
- What major issues or questions discussed on campus at the time show up in photograph?
- What groups or organizations is the photograph connected to and what were they like?
- Does the photograph show something that was typical or atypical on campus at the time?
- What did other people have to say about the events/spaces/people in the photograph?
- Does the photograph connect to events beyond the University? How?
Step 3: Make a Context Slideshow
As you’re doing research, keep an eye out for photographs, maps, and other images that you think help clarify what’s going on in your main photograph. Of those images, select 9 that you find particularly evocative or useful for explaining what’s going on in your main photograph. Arrange those nine images, along with your main photograph, into a ten-image slideshow. Then, record an audio narration to run under the slideshow that explains how the images you’ve chosen provide context for your main photograph. The finished slideshow should be two minutes and thirty seconds long, or approximately 15 seconds per slide. You’ll present your slideshows during class on March 20 and 22.
Step 4: Writing the Paper
Based on your research and previous analyses (Steps 2 & 3), write a paper that presents your photograph and makes a claim about how it might have been seen, used, or understood in its original context. To craft your claim, you may want to draw on some of the rhetorical concepts we’ve developed in class. Your paper should present and support a clear argument about the use and meaning of the photograph: its rhetorical force.
Bring a draft of your Historical Visions paper to class on Thursday, March 29. We’ll take some time during class to exchange papers and organize plans for offering peer review.
The final paper should be 6-8 pages long (double-spaced, 12-pt standard font, 1” margins) and should be submitted to Canvas by 11:59pm on Sunday, April 15.
Evaluation of the final paper will be based on the following criteria:
- A clearly articulated argument about the photograph’s rhetorical force in context
- Appropriate evidence that supports, demonstrates, and justifies the argument
- Successful use of the skills for analysis we’ve been developing in class
- Persuasive explanation of exigency (why does this picture matter, then and now?)
- “Details”: citations, proofreading, evidence of effort and care
Schedule in Brief
Tuesday, March 6 – Meet at the University Archives in Steenbock Memorial Library to select main photograph
Thursday, March 8 – Meet at the University Archives. Bring 2-3 page close analysis of photograph.
Tuesday, March 20 – Have 10-image slideshows complete. Present either today or March 22
Thursday, March 29 – Bring draft of Historical Visions paper to class
Sunday, April 16 – Final Historical Visions paper due to Canvas
Professor Caroline Druschke explains the purpose of an argumentative paper project in an English seminar (English 245, Seminar in the Major, “Writing Rivers”). For the project, students select an issue related to water, decide some action to take on the issue, and reflect critically on their action. In the assignment sheet, Druschke outlines important deadlines in the writing process and articulates the qualities of a successful student paper.
45% of final grade; 10 pgs., double spaced, plus supplemental material
How do we work through the project?
Tuesday, September 26: Start Thinking
Thursday, October 12: Find Inspiration
Thursday, October 26: Pitch Your Idea
Week of Monday, November 6: Meet with Dr. Druschke
Thursday, November 9 through Thursday, November 30: Act!
Thursday, November 30: Submit Writing Fellow Draft
Tuesday, December 5: Lightning presentations
Thursday, December 7: In-class workshop
Thursday, December 7: CGD returns Writing Fellow Drafts
Thursday, December 7 through Wednesday, December 13: Meet with Writing Fellow
Monday, December 18 via email: Submit Final Draft!
What’s the point of the project?
In lieu of a final exam, the culmination of this class is an action project and subsequent argumentative paper. This final action project is your chance to “give a shit about something”: to find some way to engage in an activity you care about related to water that moves an audience to share your passion. The point here is not for you to satisfy Dr. Druschke with your action, but, instead, to find something that YOU can be passionate about, to take action on that passion, and to justify your choice. Your action should be consequential for an identified target audience and build from interdisciplinary perspectives. This action can be taken individually or in a group, but each student will write an individual final paper after the action is complete.
For your final paper, your job is to take a position related to the value—or lack thereof!—of doing this sort of applied, engaged work for rhetorical studies, English studies more broadly, or environmental activism. You should use your action project experience as evidence for an argument of your choosing. You might suggest, for instance, that a rhetorical approach enlivens environmental activism and public engagement (and offer details from the literature and from your experience about how and why), or claim that your action project experience deepened or complicated your understanding of the rhetorical theory we covered in the class (and explain how), or argue that this kind of action has no place in English studies.
My hope is that the action project experience is valuable to you, but I’m not going to dictate what conclusions you come to about the value of that experience in the context of your major.
This argumentative paper should use the tools of the course to critique your action project, and integrate that critique with the scholarly literature from the course to take a position about the role of engagement and action in rhetorical studies/English studies and of rhetorical studies/English studies in public engagement.
You should see this project and paper as the capstone of your work this semester, showcasing what you’ve learned about your discipline, about watershed science, about activism, and about yourself.
What should I write?
Your ten-page (double-spaced) analysis should:
- describe—IN DETAIL!—the preparation for, execution of, and consequences of your action
- analyze the action taken including a consideration of:
- why this was the best possible action to take given the situation and any constraints (what other alternatives did you weigh? why did you choose this one?)
- a description of the situation you were hoping to intervene in
- the specific audience that you targeted and why this was the appropriate audience – what do they know about the issue? what do you know about them? how did you work to connect to them specifically?
- the potential intended and unintended consequences of the action
- the particular content, design, and delivery choices and their connections to desired consequences
- HOW THIS ACTION EXEMPLIFIED THE LEARNING YOU DID IN THIS CLASS (THIS SHOULD BE THE MAJORITY OF YOUR PAPER!)
- what the specific exigence was that you were reacting to and why you addressed this exigence in this particular way
- how you assessed or evaluated the success of your action and how satisfied you are with the outcome
- attach documentation of the action (photos, outreach materials, lesson plans, etc.)
What will an “A” paper look like?
- Explain precisely why you chose the action, including an explanation of what was gained or lost through this choice. Why was this action appropriate to the issue, the exigence, the course, and the student? How did you prepare for potential intended or unintended consequences?
- Describe in specific detail the action taken and include (as an appendix) documentation of that action. Discuss why or why not this action achieved the desired outcome.
- Draw heavily from multiple course readings, including specific concepts, ideas, quotes, and theories. Students will use the course readings to complicate, clarify, or analyze their action, and use their action to test, complicate, or clarify course readings.
- Make a clear argument about what role the creation and execution of this action project—and, perhaps, of environmental advocacy more broadly—have in rhetorical studies/English studies –OR– what role rhetorical studies/English studies has in environmental advocacy.
- Be imaginative, lively, informative, and consequential.
- Be grammatically and syntactically flawless.
But seriously, do you have a detailed scoring rubric?
Yes! Check the new scoring rubric for more details on the evaluation of your final paper.
√ Learn about rhetorical studies, rivers, and dams.
√ Engage with Wisconsin’s aquatic ecosystems and their humans.
√ Create original, coherent, and compelling arguments in text and in life that push beyond summary to analysis
and independent and critical thinking.
√ Apply the tools of rhetoric to embrace risks, solve problems, and take action in the public sphere.
√ Partner with others to address timely problems and create positive community change.
√ Consider the role of environmental advocacy in the English major and the role of English in advocacy.
√ Give a shit about something! And act on that passion.
In this introductory literature course (English 177: American Fantasy), Professor Ramzi Fawaz assigns a group essay that maximizes students’ freedom to choose a topic of interest relevant to the course, while providing guidance about the required components of the essay. He offers some options for the group writing process and explains how students will be evaluated as a group.
For this final paper, you will write a ten-page collaborative essay with your group members analyzing a single cultural object (movie, book, or graphic fiction) that we have not discussed in class. I have included a list of possible texts to study below and only one group will be allowed to analyze each option. You may approach the text you choose from any scholarly angle and focus on any aspect of the text as long as it relates to the key themes of this course and has something to do with fantasy. The essay must also include the following three components:
- A historical assessment of the text at hand (the historical context in which it was made and/or discussion of the historical moment the text is set in).
- An extended analysis of the text itself that uses the historical context and outside scholarly sources to unpack its content.
- At least two scholarly sources (one from our class and one that you find on your own) that you use to analyze the text.
You should not approach these three components as a list or an organizing structure for the paper. Rather, they should all be synthetically woven together. You will need to find scholarship that helps you situate the text in its historical moment as well as an outside scholarly source that is more theoretical or conceptual. You will develop this paper in parts. Your group will start by developing a short proposal describing your projected argument and plan for organizing and executing the paper; your group will then produce a five-page rough draft version of the longer paper; finally, you will complete and submit the final paper. The due dates of these various components will be decided by your TA. This is not a traditional research paper, which means you do not need to conduct extensive outside research on the text beyond what is being asked here.
All members of the group will receive the same grade, meaning that you must all equally contribute to the completion of the paper. You must decide amongst yourselves who will do what (or else equally engage in all activities simultaneously). Collaborative writing comes in many forms; you may all wish to write different portions of the paper on your own and then synthesize them. Alternately, you may wish to write it up together. There are many options and it is up to you to delegate responsibilities. When you turn in the final paper, you will also turn in a self- AND peer-assessment statement where you will discuss what you contributed to the paper, what you think you did best (and what you could continue to work on), and how you think your peers did in contributing to the project.
In this assignment, Professor Sissel Schroeder asks students in the class (Anthropology 112: Principles of Archaeology) to draw a series of “mental maps” of their home towns/cities/counties and then reflect on and justify their decisions as they created the maps. This gives them a sense of the experience of an archeologist. This assignment relies on students’ memories, experiences and reflections.
Habitus and Mental Maps Assignment
The goal of this assignment is to help you recognize the kinds of challenges that archaeologists face when they try to integrate the empirically-grounded interpretations of static spatial data that emphasize what the archaeologist sees as important to past peoples, usually settlement patterns, subsistence practices, and ancient technology, with interpretations informed by the concept of habitus. You will also reach a deeper appreciation for why it is so important to justify and support your interpretations with evidence so that they make sense to other people.
Mental Map
What is being mapped here is an abstraction, not physical reality itself but the generalized impressions that real form makes on an observer indoctrinated in a certain way (Lynch 1960:143).
Mental maps are personal and are usually a mix of your objective knowledge of the world around you (based on your observations) and your subjective perceptions of that world that are influenced by how you use and experience space. Mental maps help to create a framework for understanding the world—in the past, the present, and the future. Mental maps are thus idiosyncratic and dynamic.
In this assignment you will explore mental maps as a way of understanding your own experience of the world. In discussion section, you will have the opportunity to learn how your fellow students understand their experiences of the world and to see how these may be similar to or different from your own. In particular, you will consider how aspects of your identity and upbringing influence the ways in which you experience and use space.
Instructions for Assignment 3
This assignment is worth a total of 20 points. The breakdown of points is provided below.
Part 1: Draw a mental map of your hometown or, if you are from a rural area, the county in which you live. If you feel constrained by the size of the paper, you can do two maps—you can draw one map that shows the entire community or county and then you can draw a box around the segment of the map that you feel you know the best and draw this area on a second map (all of it—some parts of it you might know better than others). At the end of this document are some examples. (Worth 8 points)
The Basics:
For each map, use an 8.5×11 sheet of paper (letter size)—no bigger, no smaller! It can be plain or graph paper.
You should draw only what you remember from your own experience.
Include a north arrow, a legend for any symbols/colors that you use, and a way of referring to parts of the map that you explicitly mention in your essay (you could name these, give them letters or numbers, or use another system that makes sense)—you will want other people to be able to read and understand your map so that they could navigate their way through your town or county.
Some Things to Help Get You Started:
- Make a list of places that you frequent—think very broadly about the types of places you go to and use. You can also include things like landmarks—places that you observe in the landscape or think of as significant in your own mind even if they are not places you frequent.
- Think about the major streets that you use—are there certain routes that you take frequently to get to and from certain places?
- Consider how your most common modes of transportation influence how you get from place to place (e.g., walking, driving, buses, bicycles, taxis, or subways). Include things like bus and subway stops, bus routes and bike paths if that is how you get around your hometown.
- Consider labeling neighborhoods or districts if you know them well or even if you do not know many streets or details of that area.
- Don’t be afraid to leave parts of your map blank—remember that you should only draw what you know, and leave blank the things that you do not know. Your map may look somewhat schematic, and that is fine!
- Don’t strive for “objective” accuracy—the goal is to represent your hometown as you experience it and know it. Don’t obsess over street names or accurately depicting how streets curve or connect with one another. Don’t stress about scale or accurate representation of distance.
- Feel free to include historical information—places that were formerly important but are no longer places you visit regularly (your elementary school for example), or places that no longer exist but are nonetheless meaningful to you in your memories of you hometown (in other words the map can reflect your historical memory as well as more recent memories/associations).
- Your map should include 5 object types:
- Paths, streets, roads, transportation routes (major and minor)
- Districts and neighborhoods (business, historic, campus, etc.)
- Edges and boundaries (breaks on the map between districts; consider how these are defined—fixed, vague, fluid)
- Nodes (meeting places, locations where pathway cross)
- Landmarks
Examples of places to consider include:
- Places you have lived
- Schools you have attended
- Shopping districts
- Shops
- Malls
- Restaurants
- Taverns
- Coffee shops
- Museums
- Libraries
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- Malls
- Restaurants
- Taverns
- Coffee shops
- Community centers
- Gyms
- Baseball and soccer fields
- Police departments
- Fire departments
- Hospitals
- Doctors’ offices
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- Swimming pools
- Places where you or your parents have worked
- Churches, temples, synagogues, mosques, etc.
- Friends’ houses
- Grocery stores
- Drug stores
- Parks
- Golf courses
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- Water features (lakes, coastlines, rivers, etc.)
- Topographic features (hills, mountains, valleys, caves, etc.)
- Gas stations/convenience stores
- Bus stops/subway stops
- Stop signs/stop lights
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Part 2: Write an essay in which you address the questions listed below. Remember to provide explicit references to you map (or parts of your map) when appropriate. Justify your answers. Maximum of 4-5 pages double spaced text. (Worth 12 points)
- Start by presenting a bit of background on your hometown or county—where is it located; how large/small is it; what is the topography like; what are the major industries/businesses there; etc.
- What was it like drawing these maps? Was it hard? Easy? Frustrating? Were you tempted to cheat by looking at published or on-line maps? What made you want to cheat?
- Where on your map do you feel the most safe/comfortable, and where do you feel the least safe? Think about comfort both in terms of personal safety, but also in terms of where you fit in and feel like you belong. What makes a place feel “safe” for you? What makes a place feel “unsafe”?
- What about the edges and blank/sparse parts of your map?
- What is the center of your map? Why did you choose to center your map on this feature?
- Why did you leave some areas of your map blank, or sparsely filled? What did you choose not to include and why?
- How did you choose the boundaries of your map? What lies beyond the boundaries of your map?
- Did mapping make you more aware of the parts of your hometown/county that you do not know very well?
- Think about the different aspects of your identity: gender, class, race, ethnicity, religion, ability/disability, nationality, socioeconomic status, education, and so forth. How do these different parts of your identity appear (or not) on your map? Do you see these areas reflected at all in your map? What does this map say about you? What does it not say?
- If someone else looked at your map from the perspective of an archaeologist grounded in empirical data, what kinds of dimensions of your hometown do you think would be emphasized in their interpretations? How would these compare with yours? How do you think they would you go about integrating these empirically-grounded interpretation(s) with interpretations informed by the concept of habitus?
- Consider what would happen if an archaeologist excavated your hometown in 200 years and created a detailed to-scale map. Then they find your map in the archives. How much correspondence would there be between your map and the excavation map? Why might there be differences?
References cited:
Bourdieu, Pierre 1977 Outline of a Theory of Practice. Cambridge University Press, Cambridge.
Lynch, Kevin 1960 The Image of the City. MIT and Harvard, Boston, MA.
This assignment is the first analytical writing assignment from Professor Elizabeth Hennessy’s History and Environmental Studies course with students from all levels of study. Students worked with writing fellows during the drafting process and included a cover letter in their final paper submission that reflected on their experience working with peer reviewers.
Assigned: March 24 (T)
Draft due: April 9 (R) (hardcopy)
Peer comments returned: April 16 (R)
Final due: April 28 (T) (Canvas)
Prompt
In the Eighteenth Brumaire of Louis Napoleon, Karl Marx famously wrote that “Men [people] make their own history, but they do not make it under conditions of their own choosing.” In Mosquito Empires, J.R. McNeill modifies this maxim to incorporate mosquitoes as historical actors. He writes, “Humankind and nature make their own history together, but neither can make it as they please” (2010, p. 6). Your task for this writing project is to use McNeill’s reworking of Marx’s famous maxim—or write your own version—as the basis for a persuasive essay of 1,250 to 1,500 words about the role of animals in making history. Use examples from three class readings to explain what this statement means and why McNeill’s update (or your own) is necessary. You may also want to answer the following questions to help build your argument: How do animals make history? How are animal actors different from human actors? Why is it important to consider animals as historical actors?
Your audience for this essay is skeptical historians who are accustomed to thinking of humans as the quintessential historical actors; your job is to analyze examples from class readings to convince them that animals are also important historical actors. Rather than just retelling stories about particular historical events, you want to make an analytical argument for how and why animals have mattered historically. Be sure you have a clearly stated thesis and that you outline your argument in the introduction. Also be careful not to fall into a determinist argument; you want to pay careful attention to the nuances of how context shapes history. (For example, arguing that because spermaceti oil makes great candles there had to be a sperm whaling industry would be determinist. It’s too simple a causal relationship and an argument that ignores a slew of contributing factors. Attention to the evolution of whale hunting and the changing context of industrial demand for whale oil would provide context and nuance to counter determinism.)
Be sure to include a title and byline (your name). Use the following convention to name your file: LASTNAME_Final_Paper2.docx
Writing Fellow Meeting: A polished draft of your paper is due at the beginning of class to Canvas on Thursday, April 9. Your Writing Fellow will respond to your draft by Thursday, April 16 and will contact you to set up a meeting. A final, revised version of the paper is due by Thursday, April 23.
Cover Letter: To get credit for the draft (which I will not grade) and the peer meeting, you need to write a 1-page cover letter (single spaced, about 300 words, using professional letter template) explaining how you used (or not) your peer editor’s suggestions and what you have learned through the writing and editing process. Turn this in with your final draft. Use the following convention to name your file: LASTNAME_CoverLetter2.docx
Details: Papers should be 1,250 to 1,500 words (4-5 double-spaced pages; 12pt Times New Roman; 1-inch margins). They should be polished according to Chicago Manual style. Include a properly formatted bibliography, using inline citations when you directly quote a source OR when you paraphrase an idea taken from another source. [I’ll go over the formatting for this in class.]
Grading Rubric
A
- Fresh, creative, nuanced understanding of McNeill’s maxim, or student’s own update
- Clearly articulated analytical thesis statement
- 3 well-chosen examples convincingly illustrate thesis
- Effectively uses historical detail to make point
- Makes nuanced argument to avoid determinism
- Cover letter reflects thoughtful engagement with peer comments & reflections on the writing process
- Free of grammatical and punctuation errors
- Correctly formatted bibliography and citations
B
- Insightful understanding of McNeill’s maxim, or student’s own update
- Straightforward thesis statement, shows some analytical depth
- 3 examples adequately illustrate thesis
- Uses some historical detail to support main point
- Uses some detail to avoid determinism
- Cover letter demonstrates consideration of peer comments & writing process
- Few grammatical and/or punctuation errors
- Few formatting errors in bibliography and citations
C
- Satisfactory understanding of McNeill’s maxim, or student’s own update
- Thesis statement lacks analytical depth
- 3 examples related to thesis but do not strongly support
- Uses little detail to illustrate main point
- Lack of nuance leans toward deterministic argument
- Cover letter rushed, offers little reflection on editing process
- Some grammatical and/or punctuation errors
- Some formatting errors in bibliography and citations
D
- Unclear articulation of maxim, little evidence of understanding
- Thesis statement vague, unclear, or missing
- 3 examples poorly chosen
- Detail missing or detracts from story
- Argument deterministic
- Cover letter missing or does not reflect engagement with peer editor’s comments
- Contains several grammatical and/or punctuation errors
- Contains several formatting errors
In this assignment for Geography 365, instructor Susy Ziegler explains the process and requirements for a collaborative paper. She suggests that each group member be responsible for one part of the paper and that all group members work together to compose the introduction.
During our field trip on Thursday, September 21, we will locate six different places on or near the UW campus. Each group of three students will study one of these places throughout the semester from as many geographic perspectives as possible. You will first identify the various geographic realms at your site; consider the natural as well as the cultural attributes. To do so, you will find it helpful to look at your study site from the viewpoints of as many different types of geographies as possible (e.g., biogeography, cartography, climatology, economic geography, geomorphology, historical geography, population geography, geography of recreation, tourism and sport, regional development and planning, remote sensing, transportation geography, urban geography, etc.).
As you are working on your projects, think about what you have learned from the readings for this course: What do geographers do? What kinds of questions do they ask? What techniques do they use to answer questions? You will then use these approaches to find out more about your study area.
I expect these projects to represent substantial effort on each of your parts, and I will be reading your work for both content and technical aspects. I have not set a minimum or maximum number of pages for your final document, but I offer possible page lengths below. A general guideline is to be as thorough yet concise as possible. Bring questions and comments about the project to me as they arise. You will work toward your final group project in stages:
Step 1 due 5 October: a description of what geographic realms you will study (1‑2 pages). In the description you submit as a group, highlight the perspectives that you will take and why you have chosen them. Indicate what geographical questions you wish to answer and how you plan to do so (your methods). Also describe who in your group will research each perspective and when you will meet as a group to consult, compile, and complete each part of the assignment (your timetable).
Step 2, due 19 October: an annotated bibliography of the references that you are using to answer your geographical questions (five sources per student, 3‑4 pages total). An annotated bibliography is a list of sources—using the notation I will describe in class—with a few summary sentences about each source. We will discuss an example during class. Each student is responsible for at least five sources, and you will put your references together into a bibliography for the group.
Step 3, due 16 November: draft of group project, including introduction written by group (1‑2 pages) and individually written sections (10 pages each). Although I expect that much of the work that you turn in as your draft will be text, I encourage you to be creative in the types of material that you incorporate and the ways in which you present your findings (e.g., maps, photos, graphs, etc.). In your group introduction, clearly define the focus of your group project and map out for the reader the individually written parts. Make sure that each of your individual sections contains a brief introduction that outlines the topics you will discuss and a more extensive conclusion section that discusses how your part relates to the project as a whole and to the larger themes in geography that we have read about and discussed this semester. I am looking for specific links to the readings, i.e., properly cited quotations and paraphrases that support your conclusions. Make sure that you end your sections with your own bibliography. I will return these drafts after Thanksgiving for you to revise with your group.
Step 4, due either 7 or 14 December: a detailed presentation of your particular area (10 minutes per group member). Think carefully about what is important to say to the class about your project. Most of you will not have time to share all of your research findings, so pick out the essential facts pertaining to your site. Visual aids such as overheads, blackboard outlines, and videos will be especially effective. The first person to present in a group should outline the various sections to follow, and each member should introduce and outline his/her section. Practice your presentation beforehand to ensure that you can establish eye contact and stay within your 10 minutes with time for audience questions. In hearing from each group, we will develop a mental picture of a larger area . . . a transect across campus. We will try to understand the spatial patterns of similarities and differences in the campus environment.
Step 5, due 14 December: final draft of entire group project (approximately 30 pages). Please submit your final draft with the November draft and my comments.
Group Project Assignment Handout
Name:
Debriefing on the process of writing collaboratively:
Very few of you raised your hand when asked by Kirsten Jamsen of the Writing Center whether you had worked on group writing assignments before. I’d like for you to take a few minutes to evaluate for yourself and for me the process of completing a collaborative writing assignment. The main question to answer is, “How does writing with others differ from writing alone?” After you have answered the following questions (which you will turn in to me), we will discuss as a group your various perspectives on this type of learning experience. Please continue your answers on the back of this page if you need more space.
Explain how the group paper took shape over time:
What was the hardest part of writing this paper?
From what phase of writing the paper did you learn the most? What did you learn?
What are the advantages of collaborative thinking and writing? What are the disadvantages of collaborative thinking and writing?
What are you still dissatisfied with in the draft of the group paper you turned in today? (Hint: Think critically about your project and about what you wish to revise for the final draft.)
What would you do differently if you could do the project and written paper again?
Students’ Responses
“What are the advantages of collaborative writing and thinking?”
- It’s nice to get different perspectives on how to solve a problem—when I get stuck, I can talk to one of my partners for assistance.
- You are given many different angles on the subject from viewpoints you yourself did not previously consider.
- You get many diverse perspectives on what is being researched, and more information is collected.
- Brainstorming is intensely enhanced …
- As we move into careers, we will see this idea of “group” be more relevant and it is important to know how to interact with each other on the same topic.
- Having help proofreading and discussing options.
- It has also helped tremendously to get an outsider to help with ideas [using the Writing Center for group conferences].
- Each person brings in strengths and knowledge about the topic that the other group members may not have.
- Spread the work load.
- Less individual time involved.
- You have other people to bounce ideas off of and you get different perspectives on what you wrote. It makes for a better paper because there are “editors.”
- Gives one an opportunity to hear different styles or ideas for writing and researching.
Professor John Yin asks students in this class (Chemical and Biological Engineering 560) to complete group research proposals. The students ultimately present on their proposals and submit them in written form.
Team Project 1: Engineering Beyond Natural Boundaries
The chemicals of life include lipids, sugars, nucleic acids, and proteins, as you have encountered in your biology and biochemistry coursework and reading. Today an active and growing area of research is to biochemically expand the repertoire of biological products and processes by use of non-natural building blocks. For example, one may incorporate non-natural amino acids into proteins, non-natural bases into nucleic acids, or non-natural sugars into polysaccharides. These examples will serve as topic areas for your group assignment.
Review the recent literature in your topic and prepare a group presentation on the topic**. Address the following:
a) Why would anyone want to use non-natural building blocks in the synthesis of proteins, nucleic acids or polysaccharides? Give technological motivations.
b) What challenges does one encounter when using non-natural building blocks? Provide at least one specific example to show how this challenge has been overcome.
c) Describe how a specific non-natural product has been characterized and how its offer new properties or activities. What opportunities are opened?
d) Discuss the broader technological (engineering) challenges to making and applying such non-natural products.
**In-class group-work on Thursday, 4 Feb
Deliverables due on Thursday, Feb 11, during class:
- Title and Abstract, 300-500 words
- Group presentation to the class (10-12 min) + Q&A (3 min)
- Annotated bibliography of references used in the assignment. Annotations should be 1-2 sentence descriptions of how the specific reference was useful to you. For examples of brief annotations, see cited reference lists in articles in Current Opinion in Biotechnology.
Team Project 2: Research Proposal
A broad goal of biochemical engineering is to apply chemical and biological engineering approaches to define and solve problems that impact human health, energy, agriculture, the environment and food. An aim of this course is to provide an opportunity for you to gain research experience as a member of a team. Each team will:
- identify a societal need/problem, determine its magnitude, and quantify specifications for a solution to the problem.
- supply evidence that demonstrates the feasibility of the proposed solution. Evidence may be drawn from the literature, or theoretical or computational studies. In addition, teams should propose relevant experimental or theoretical/simulation studies to demonstrate the feasibility of their idea.
- learn to work effectively as a member of a team and communicate your idea to your peers and to Prof. Yin
Each team will prepare a 10-12min presentation (plus 3 min questions), and a 12 page double-spaced proposal that describes a novel approach to address an important societal need. The project should be completely new, not based on previous project(s) you may have proposed for other classes or related to research being actively pursued anywhere, as detected by a keyword websearch. The 12 pages includes at 3500-word maximum that include all tables and figures. The bibliography does not fall within the length limits. Each team will meet with Prof. Yin: 15 min team meeting to present and briefly discuss preliminary ideas (aim to meet before Spring recess).
Presentations & Written Proposals due on Tuesday, 3 May
Project Summary (1 page max)
The proposal must contain a summary of the proposed activity suitable for publication, not more than one page in length. It should not be an abstract of the proposal, but rather a self-contained description of the activity that would result if the proposal were funded. The summary should be written in the third person and include a statement of objectives and methods to be employed. It should be informative to other persons working in the same or related fields and, insofar as possible, understandable to a scientifically or technically literate lay reader.
Project Description
The Project Description should provide a clear statement of the work to be undertaken and must include: objectives for the period of the proposed work and expected significance; and relation to the present state of knowledge in the field. The
Project Description should include: Specific aims (2 or 3, one page max), Research Strategy, Significance (background), Innovation (1 page max), Research Plan (addressing how each specific aim will be carried out)